Performing Your Way to Growth – Webinar with Cathy Salit

  We had a great time with Cathy Salit today, CEO of Performance of a Lifetime.  A powerful company with a  funny name.  As you can see from the photos, she engaged a whole class of psychology students by asking them to perform (and groan and stretch).  Their teacher wrote: Hi Cathy,     My students and I enjoyed your Webinar. ​They groaned with you, and wrote what they learned afterwards. Play and performance is so radical, when people get it, it’s life transforming. Great job. Rafael​   Cathy spoke about her book, Performance Breakthrough:  A Radical Approach to Success at Work.  Based in a field called Performative Psychology founded by Lois Holzman, Fred Newman and Ken & Mary Gergen from the Taos Institute.  As Dr. Holzman said:  ”We collectively create our lives through performance (simultaneously who we are and…

Why the Office “Good Guy” Enjoys his Work More than You

The office good guy… you know him… he’s John, the administrative assistant who is always ready to enthusiastically serve on a new voluntary committee at work. She’s Nancy, a customer service representative who is not only genuinely happy to help customers solve problems, but will cover a co-workers’ shift almost anytime she is asked. They are unusual and everyone sees it.  They clearly care about the company and the people within. These “good guys” are good organizational citizens.  They are the people who do things beyond the formal duties of their role – like lending a helping hand to a co-worker, being an evangelist for their company, or organizing a team lunch. They are strong team players, keep the spirits of others high, maintain goodwill around them, and are actively involved in company activities… you get the idea.  And, as…

Teamwork Levels the Status Playing Field

 *This article first appeared on www.positivepsychologynews.com   It was dark in the theater. The crowd was hushed waiting for the big reveal. The musical was Sweeney Todd, and my college audience had heard from their friends about what happens when the first victim gets the ax (or in this case, the razor). The seat and foot on the trick chair drop, and the actor falls through the roof of the second floor set to the crash pad below. I had the good fortune to play Mrs. Lovett, and I had also sourced the barber’s chair for this production. At the time, I was backstage waiting for an entrance. I heard the moment in the music, and then I heard screams. Just like we rehearsed. But these weren’t the screams of an actor playing a character who was just killed. These were real…